>> For the second season in a row, Marc Jacobs started his show promptly, just ten minutes after its scheduled start — only this time, half the attendees weren't locked out — everyone had learned their lesson. "Ladies and gentlemen, please take your seats. The show is about to begin."

Through swinging mirror doors, the models walked the mirror-lined runway from every direction, funhouse illusions abounding. But show tactics aside, with Marc, it always comes down to the clothes — the mashed-up, layered, bangled clothes, sparkling, plaided, and sheened. As Gershwin played in the background, Marc took us in a whole new direction — and he did it while wearing a skirt.

To get the full experience, check out the runway video at Elle.com.
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>> Alice Dellal may have been a special guest at Alexander Wang, but she was there in spirit at Proenza Schouler — the sideswept wavy hair, red lip, leathers, zippers, and crop tops shown were all reminiscent of her look. She may have been a starting point, but the collection had a downtown refinement that you would never seen in Alice — she revels too much in the grunge. All I have to say is: So many fun, billowy jumpsuits, so little time. And don't forget to check out the accessories — they're part of Jack and Lazaro's first full season effort.

To get the full experience, check out the runway video at Elle.com.
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>> It's hard to imagine being pregnant and designing hot little minidresses for other women to wear, but when you're Thea Bregazzi, one half of design duo Preen, and those hot little minidresses happen to be what your label is known for, that's just what you do.

The heavily expectant Thea stayed across the pond in London while her partner in design and life, Justin Thornton, carried on with the label's show today. He carried it well — everything went smoothly, save a slight wardrobe malfunction for Anja Rubik and the confusion that ensued at the end of the show, when Justin didn't appear at the end of the runway and no one knew when to start the final applause.

As for the clothes, the dresses with intricate paneled cutouts and peekaboo zipper slats, the piquante shots of tomato red, and the sexily laced up pleated skinny pants came together for a more refined collection than we have seen from Preen in the last couple of seasons. Maybe Thea should be pregnant more often . . .
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>> This month, Vogue Russia September 2008 celebrates the top Russian models in "10 Years Later" by pitting childhood photos taken ten years ago against recent photos taken by Terry Tsiolis.  Sasha Pivovarova, Natasha Poly, Snejana Onopka, Vlada Roslyakova . . . they're all there — and if you're looking for a model who went through an awkward phase, you'll be severely disappointed.
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>> After going with up-and-coming models for Fall 2007 and Spring 2008, Olivier Theyskens has pulled out the big guns, making a splash for Fall 2008 with Natasha Poly.  The stop-action, hair flipping shots definitely help achieve Olivier's goal of transforming the romantic label into one with more edge. If these images by Mario Sorrenti don't sell the brand, I don't know what will.
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>> All of you who give Lara Stone grief about flaunting her assets in editorials, these are for you.  No top shelf visible here: She's all buttoned up in tweedy sheaths and wooly funnel-necked dresses for the Fall 2008 Jil Sander campaign. Natasha Poly joins her in the Willy Vanderperre-lensed mood-fest, but it's Lara's emotive emergence from the shadows that really does it for me.
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>> Amongst significantly less hubbub — no Net-a-Porter selling his clothes right off the runway this time — Roland Mouret debuted his second collection yesterday under his new RM by Roland Mouret moniker.  The new set of dresses are definitely cut from the Mouret cloth — sheaths tailored with precision, oragami shapes — but for a man who's been using the same silhouettes since 2005, it's time to grow the aesthetic, not stand still in time.

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>> Jean Paul Gaultier was high energy yesterday at his Fall 2008 Couture show, exuberantly explaining his choice of outfit to Hilary Alexander pre-show, and running through the fluorescent green laser beams that panned the runway post-show, poking Coco Rocha on the way. 

For all of JPG's exuberance, I am less than excited about this sci-fi, cage-inspired outing.  Underneath all the decoration were a few solid pieces, namely a coral lace-like cage dress worn by Patricia Schmid and a tux suit worn by Sasha Pivovarova, but for the most part, a lot of it ended up looking less than luxe, especially if croc was involved. 
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