>> Tommaso Aquilano and Roberto Rimondi had a tall order to fill for Spring 2009.  Before Gianfranco Ferre passed in 2007, his architectural-based label had ceased to become relevent — as Cathy Horyn put it, "It’s been a while since anyone [has] paid serious attention to the Ferre name."  So could the newly tapped designers bring it back to the forefront?

The general consensus says yes.  Nicole Phelps of Style.com was pleased: "They deserve high marks for this outing." Cathy Horyn of The New York Times, a Aquilano-Rimondi fan, loved the effort, with one caveat: "The designers distilled the essence of Ferre in a new, eye-catching way. Now to just refine the elements a bit more . . . " WWD felt the same: "Aquilano and Rimondi have the right ideas, but what they need now is a little restraint."

Suzy Menkes of the International Herald Tribune also echoed the same sentiment: "Not all the Ferré collection was approachable. Yet . . .  the two designers created the clothes and the buzz that will bring fashion life back to Ferré."  With another season under their belts, Aquilano and Rimondi could definitely hit the right stride at Ferre.
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>> When Natalie Portman comes to the show, Keira Knightley hits up the after party, and Anna Wintour brings Bee — who usually only goes to Marc Jacobs and Proenza Schouler — along, you know Rodarte is really starting to make it big. Even Vogue Italia's editor-in-chief, Franca Sozzani, had a little trouble getting in — apparently, she tried to follow Anna and Bee through the velvet rope, but the PR staff wouldn't allow it.

Onto the clothes: They followed the same thought process as the Fall 2008 collection, but with a few key changes — the colors, the shoes (those treacherous shoes, made by Nicholas Kirkwood instead of Christian Louboutin this season), and the leggings, which were leather instead of knit, and although they looked laser cut, were entirely handmade.  Some think the look veered into Balenciaga territory, but me?  I'm just enjoying the view.  
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>> It's hard to imagine being pregnant and designing hot little minidresses for other women to wear, but when you're Thea Bregazzi, one half of design duo Preen, and those hot little minidresses happen to be what your label is known for, that's just what you do.

The heavily expectant Thea stayed across the pond in London while her partner in design and life, Justin Thornton, carried on with the label's show today. He carried it well — everything went smoothly, save a slight wardrobe malfunction for Anja Rubik and the confusion that ensued at the end of the show, when Justin didn't appear at the end of the runway and no one knew when to start the final applause.

As for the clothes, the dresses with intricate paneled cutouts and peekaboo zipper slats, the piquante shots of tomato red, and the sexily laced up pleated skinny pants came together for a more refined collection than we have seen from Preen in the last couple of seasons. Maybe Thea should be pregnant more often . . .
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>> Iselin Steiro may have put her modeling career on hold for a degree in architecture, but that doesn't mean she can't still nab a top campaign or two.  In fact, she's appearing in both the Mulberry and Missoni Fall campaigns. 

For Missoni, Iselin joins goth girl Kinga Rajzak and Mathias Lauridsen in a set of images inspired by the Bernardo Bertolucci film, The Conformist, because the movie's visual patterns and textures fits well with the Missoni aesthetic. 

The use of prints and color scheme in these ads are very in tune with Missoni's brand, but I'm not sure the sterile, stationary feel of the models is; Missoni always seems much more lively and dynamic than frigid to me.
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>> Alessandra Facchinetti's first couture collection at Valentino represents a nerve-racking, generational hand-off, but Giorgio Armani was there in the front row to lend support and represent the old guard. 

The collection had the palpable feel of a different designer, as it should — more structure and pared-down tailoring, with most of the detail left to the back of the garments, and more subdued colors than the pastels Valentino had been playing with. However, Alessandra did stay true to the three most guiding parts of the Valentino aesthetic: femininity, ruffles, and of course, Valentino red.  In fact, that same Valentino red painted the final look of the collection — a stunning chiffon number.

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>> Riccardo Tisci is taking a trip to Peru in August, and his anticipation birthed the Incan prints and alpaca blanket stripes that pepper his latest couture collection for Givenchy.

Highlighter shades of fuchsia and violet provided shocking punctuation amongst Tisci's usual color palette of neutrals.  The emerging trends of knee-length leggings, transparency, and lace were all present along with the signature Tisci for Givenchy leather jackets and oversized hats. But I have to say, amongst all the draped jersey and deconstructed shapes, the two standout looks were similar pale, choppily-fringed minidresses.  

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