Wed, 09/09/09 — 11:54:24 PM
>> Housed within the confines of the small Ohio Theater tonight were models on boxes, sporting Doc Martens and Anna Larson's debut Erro collection. Larson's target girl is a "modern nomad," and she embodies Erro, which means "stray" in Latin, through easy-to-wear, layerable pieces in white and shades of gray.
Bliss Lau contributed jewelry and her leather treatment skills to the Spring 2010 collection — the lambskin was crocheted, hand-distressed, and perforated; former Eventide designer and current stylist Christian Stroble consulted and styled; and Alexandra Richards was hidden above the crowd in the back, mixing the soundtrack. The pieces were visibly made of high-quality materials — always good for first impressions from a new designer — and the whole sensibility was mirrored by Larson herself, who was spotted chatting to Vogue's Mark Holgate sporting all black, goth-girl black hair, and heavy black eyeliner.
Wed, 06/10/09 — 04:29:50 PM
>> Is fashion finally getting sick of the shoe silhouette that has so pervaded the last few years — the painfully high heel? Carine Roitfeld, notorious for her pro-heel stance, was snapped recently at a luncheon in Cannes wearing flats; Francisco Costa shod all of his Cruise 2010 models in brogues and flat boots, and Vogue's Mark Holgate noted at yesterday's Cruise 2010 Yves Saint Laurent presentation that even "the house that started the platform craze is coming down off them."
Today, Andre Leon Talley dedicated a whole Vogue Daily post to the phenomenon, observing that at a recent Alexander Wang Cruise 2010 appointment, "Meredith Melling Burke . . . walked in off the elevator in a beige 3.1 Phillip Lim chesterfield and beige trousers tucked into an impeccable black pair from Miu Miu — that were completely flat! A sign of things to come?"
He's not finished »
Wed, 06/03/09 — 12:42:30 PM
>> Resort season is well under way — Calvin Klein and Diane von Furstenberg are among the brands showing today alone. Every year, designers reiterate how crucial the resort season can be, and every year, there's more media attention placed on collections that pop up at this time. But all that increasing media coverage could endanger precisely why resort does so well — the collections typically have an element of anonymity, as Vogue's Mark Holgate explains:
The clothes tend to be shown in a small, discreet way, so they’re not overexposed; the look tends to trans-seasonal in the fabric and color choices; and, typically, what’s shown is on sale for longer than those collections presented during Fashion Week. In short: They’re the kind of pieces that you’ll tend to wear and wear and wear because they manage to be both directional and somewhat anonymous.
Cathy Horyn made note this morning of the increase in attention, when she overheard one editor comment at Calvin Klein: “Oh, I thought this was going to be a small presentation."
Oscar de la Renta adds his two cents »
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