>> As the Victoria's Secret yacht rolled into Miami and the girls had a beach photoshoot today, we got to see of the 30 non-Angel faces that will be participating in this weekend's fashion show — 19 of them, to be exact.  No sign of Lara Stone, Jessica Stam, or Natasha Poly, but after missing yesterday's event, Izabel Goulart is there.  There are plenty of new faces — Abbey Lee Kershaw and Sarah Stephens represent Australia, Arlenis Sosa Pena the Dominican Republic, Maryna Linchuk Belarus, and Erin Heatherton the US.
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>> If Frida Giannini is aiming for her Gucci customer to be one Rachel Zoe, nothing says it stronger than the flowy printed maxi dresses and one-shouldered bohemian blouses that she sent out as Gucci's Resort 2009 collection. 

Shown in Rome to celebrate the brand's 70th anniversary and a re-opening flagship, the collection will surely please those who hanker for a Hermes scarf-like minidress or a pair of fringed espadrille wedges.  Guests who were left waiting for their rides to the show venue, however, were less impressed, remarking that if Tom Ford were still at Gucci, the cars wouldn't have been late, and the drivers would have been handsome and topless . . .

A video of the show can be seen here.
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>> Usually Christian Lacroix's designs are a little too overwrought to speak to me, but something about this set sits just right. 

Maybe the scarlet backdrop is to blame, setting off all the intricate detailing with its vivid hue: the peekaboo lace sleeves, the bell-shaped cocktail dresses, the gossamer tufts; or maybe I've just gone buggy for Lacroix's insect-inspired fantasy world. If so, I'm not the only one: the attendees showered the designer with carnations at the end of the show.

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>> Seeing a Chanel couture collection is a thrill, but the clothes are always rivaled by what new, huge installation Karl Lagerfeld has plopped in the center of le Grand Palais for the models to stream out of.  In recent seasons, there's been a giant tweed jacket and a larger-than-life carousel; This time around, it was a gigantic set of organ pipes. 

The show started with a fugue of ominous organ music, and together with the central pipe installation and the tube-like detailing on many of the intricate dresses, reflected the inspiration which had come to Karl during a concert. 

Enjoy the big production while it lasts, folks — word is Karl is talking about reducing the Chanel shows to be more intimate experiences in the future.
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