Wed, 02/25/09 — 03:44:26 PM
>> Before jetting off to Milan, London fashion's finest gathered for a dinner last night at the Double Club, in honor of Another Magazine's newest issue featuring Tilda Swinton. Kate Moss, freshly returned from a safari in South Africa, made her first and only London Fashion Week appearance, dropping in with Jamie Hince for Jefferson Hack's Congolese family-style dinner. Lily Cole, who sat front row at Vivienne Westwood Red Label earlier this week and then walked in the Qasimi show before heading back to Cambridge, popped back into town for the party, where Peaches performed her Karoake favorites while Kate, Tilda Swinton, and Daphne Guiness all sang along.
*image: source
Tue, 02/24/09 — 05:55:14 PM
>> For the second season in a row, Australian minimalist Josh Goot took his game to London Fashion Week. The designer had to change venues at the last minute, losing 100 seats and causing a mad dash for the diminished number of front row seats, but all the chaos is a sign of one positive thing — there was a good turnout. Goot stayed true to his predilection for black, white, pastels, and marbled prints cut in a number of body-conscious silhouettes; colorblocking played a large part in the Fall 2009 collection, as did knits, but the eye-catching pieces involved curvy lines and digital prints.
*image: source, source
Sun, 02/22/09 — 09:38:47 PM
>> Easily the hottest ticket at London Fashion Week, Christopher Kane brought out the masses earlier today. But those expecting a colorful outings like seasons past are in for a surprise — as guests were served carrot and coriander soup, Kane sent out pieces in largely black and neutral shades — Hilary Alexander likened the geometric patterns to the stroke of a black marker on a white sheet of paper. Men's brogues covered feet — that or crushed purple and gold velvet high heels that models were warned about before the show — apparently the heels were fragile. All in all, definitely a toned down version of classics compared to what Kane has done in the past, but still impressive enough to keep the critics happy; as Suzy Menkes put it, "Everything was subtle, sensitive and just right, showing Kane as a fast-growing talent."
*image: source, source