September 2011 Covers

>> While there are still a few biggies that have yet to make their debut — Vogue Italia, V with Carine Roitfeld's touch, Pop, and Dasha Zhukova's new magazine, Garage — the majority of this year's September issues have already made their debut. There are more than a few model covers; in fact, there are more than a few supermodel covers — and we've gathered them all together for your perusal.

UPDATE: The Vogue Italia, Pop, and Garage covers have been added (plus more).

>> Here's the first glimpse of Dasha Zhukova's much-anticipated new magazine, Garage. Hitting newstands September 5th, the magazine's main editorial — as well as one of it's three covers —  was photographed by Hedi Slimane and features some provactively-placed tattoos. "The 'INKED' project is really emblematic of the mission of the magazine — bringing together individuals from diverse creative fields to produce something compelling and bold," Zhukova said of the magazine's inaugural theme. Jeff Koons, Richard Prince, Paul McCarthy, and Damien Hirst were all tapped to design tattoos for the issue; it's Hirst's version that graces the main cover, which ships with a peel-back modesty sticker in the shape of a butterfly (left).

The two alternative covers of Garage feature the work of prominent artists as well: one cover features a Nick Knight and Dinos Chapman image of a doll house with a Lily Donaldson doll playing inside, while the other cover features a tattoo design created by Richard Prince. Despite the alternative covers, W.H. Smith has already banned the magazine from sale at its stores in England. However, Barnes & Noble will stock the magazine.

Click through to see all three covers from the first issue.

>> Kate Moss tells Vogue's September 2011 issue — which she covers — that after a romantic trip to Thailand two years into her relationship with Jamie Hince, “we were just so loved up, and he asked me to marry him every day.” So what made her finally take the plunge, at 37? Apparently, the British TV series Big Fat Gypsy Weddings. “I am so romantic about gypsies,” Kate explains. “They’re not allowed to do anything until they get married. So they all get married really young, at sixteen. You can’t believe the dresses. They’re like blinging butterflies times ten; they can’t move down the aisle! It’s so genius. I was just watching Jamie, so cute, and I was like, these girls, they just spend their whole life waiting for that day — let’s do it!”

“I’ve met them all throughout the years,” Mario Testino — who captured Vogue's extensive portfolio of Moss's wedding (she shifted her wedding date from Saturday to Friday to accommodate Testino's schedule) — says of Kate's past paramours, “but [Jamie] is the most real. He has a great sense of humor.”

But, as the wedding date nears, Hince “is terrified,” says Moss. As for herself: “Let’s put it this way. If I didn’t have my friends . . . I don’t know how people do it. I’ve had big birthday parties, and I’ve thrown parties for other people, but this is a completely different thing. It’s the Met Ball! Because you have to look at every piece of cutlery; the details are intense. And then you wake up thinking about the ballet shoes for the girls; is the satin ribbon right? I’ve gone mental. Jamie thinks I’m mad, asking, ‘Are you gonna be all right? After the wedding, I’m hoping you’ll get back to normal!’”

Of her vision of the wedding, Moss says: “I wanted it to be kind of dreamy and 1920s, when everything is soft-focus. The Great Gatsby. The code name was GG for a while. That light and that kind of fun decadence. It’s rock-’n’-roll Great Gatsby!”

It follows, then, that John Galliano, who designed Moss's wedding dress, was inspired by Jazz Age photographs of F. Scott's wife Zelda Fitzgerald. Moss says she wanted “a classic Galliano, those chiffon thirties kind. I’ve lived in his dresses for years, and they just make me feel so comfortable. But it’s so much more couture, couture, couture. Oh, my God, the work that’s going into the dress!”

As Vogue tells it: Moss and Galliano "discussed everything on the phone, and then, when John was out of rehab for the first of four marathon fittings, he brought her 'bags full of bits, and pulled tulle and sequins and veils and flowers out. And then we just kind of pinned things together, like the old days, you know?' The skirts are symbolically licked with the beaded plumes of a mythical phoenix, 'delicate and defiant, like Kate.'"

"She dared me to be John Galliano again,” the designer added. “I couldn’t pick up a pencil. It’s been my creative rehab.” The relationship goes both ways, though. Just before Moss, ever the model, sets off to her wedding church she requests “a few words, a story to inspire her — she loves a bit of direction!” Galliano says. “I told her, ‘You have a secret — you are the last of the English roses — and when he lifts your veil he’s going to see your wanton past!’”

Later, the favor is returned: When Kate's father thanks Galliano for “the beautiful dress,” every wedding guest stands in ovation, causing the designer's eyes to well up.

>> Arizona Muse and Freja Beha Erichsen inspired rumors of a romantic relationship during the couture shows last month, and over the past few months, they have been captured embracing by Terry Richardson and featured together in two different Karl Lagerfeld-lensed editorials. Now, they pair up again for Mario Testino and Vogue UK's September 2011 issue in a shoot inspired by the Dutch Masters which Alexandra Shulman says "earns its place among Vogue classics." Beha Erichsen also serves as the magazine's September 2011 cover girl.

>> LOVE's sixth edition boasts more covers than ever before: models Kristen McMenamy, Daphne Groeneveld, Nyasha Matonhodze, Lara Stone, Mariacarla Boscono, plus the young, 14-and-under starlets Hailee Steinfeld, Elle Fanning, and Chloe Moretz, "their faces free of makeup and streaked with tears," as alternatively styled by Grand, Panos Yiapanis, or Arianne Phillips. All eight were photographed by Mert Alas and Marcus Piggott.