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Michael Kors

Michael Kors on Growing Up in Fashion

Michael Kors is the funniest man in fashion — or at least that's how Fern Mallis described him when she brought him on stage for the latest edition of her Fashion Icons series at 92nd Street Y.

Michael Kors is the funniest man in fashion — or at least that's how Fern Mallis described him when she brought him on stage for the latest edition of her Fashion Icons series at 92nd Street Y.

Mallis asked Kors about everything from growing up on Long Island, where he was born Karl Anderson Jr. — "the least likely name for a nice Jewish boy" — to his first dalliance in fashion: redesigning his mother's second wedding dress at the age five. "The dress is pretty timeless," Kors said. Read on for more highlights from the talk — including Kors on his first Met Gala, who he'd like to play him in a movie, and why he dropped out of FIT.

On redesigning his mother's wedding dress: "My mom tried the dress on and it was covered with a zillion bows — bows everywhere! And my grandmother said, 'That's magnificent!' And I just kind of sat in the corner, and my mother said, 'What's wrong? What do you think?' So I said, 'I think it's really busy.' So my grandmother said, 'Oh, don’t listen to him, he’s only five.' Priscilla of Boston, how could you go wrong? And then the tailor came in and my mom said, 'Trim off a few of the bows,' so they took them off the bodice at first. And then my mom said, 'You know, he’s right. Take them all off,' so the bows went off."

On dropping out of FIT: "I got to school and I had been sketching since I was really small, and I had such firm ideas about what I liked, so I was fighting with the teachers . . . I don't think that there's a rule in fashion in how you have to chart your course. I would never tell anyone, 'Oh drop out, it worked for me.'"

On his first Met Gala with Vera Wang, while he was working for the retailer Lothar's: "Vera, in fact, was working at Vogue ... and wore a Michael Kors for Lothar's charmeuse slip with a leather down vest and a mohair sweater around the waist. I think we were definitely doing creative black tie. In we went and it was the year of the Saint Laurent exhibit. I got to meet him and I almost levitated. This was when it was in December and it started snowing while we were in the Temple of Dendur. Suddenly it got very quiet . . . and then we found out that it was the night that John Lennon was killed."

On the show that inspired Mallis to start fashion week: "The music started, and it was very hot that day. Pounding, pounding, pounding music. Naomi Campbell was out there strutting her stuff and all of a sudden I heard this explosion from backstage. It sounded like gunfire and I was just, 'What on earth was that?' Naomi got off the runway and she said to me, 'The ceiling caved in. The plaster just came down. And hit people.' We hit Suzy Menkes . . . It was time for New York to get professional show spaces. Voila!"

On who should play him in a movie: "If it's a drama and vanity comes into it, I'm gonna have to go with Daniel Day-Lewis. If it's a big box office comedy, Will Ferrell."

On his philosophy of life: "You can have it all. You can be glamorous, you can be sexy, you can be comfortable, you can feel good in your own skin. Balance indulgent with pragmatic. You have to feel good, that's what it's all about."

Tom Ford

Tom Ford Talks Kids, YSL, and Making It in Fashion

From his childhood in the American Southwest to his positions at Gucci and Yves Saint Laurent, there's never been a point in Tom Ford's life when aesthetics didn't matter — and he said as much during a discussion with Fern Mallis Tuesday night at the 92nd Street Y in New York.

From his childhood in the American Southwest to his positions at Gucci and Yves Saint Laurent, there's never been a point in Tom Ford's life when aesthetics didn't matter — and he said as much during a discussion with Fern Mallis Tuesday night at the 92nd Street Y in New York.

Mallis asked Ford about his entire life and career, allowing plenty of room for witty banter and revealing moments. Ford even mentioned that he's always wanted to have kids. "I think I'd better get busy soon, though, because I'd like to be able to pick them up," he joked. But between designing his next women's collection and the three films he has planned for the future, Ford is already plenty busy. Below, some of his most memorable quotes from the evening.

On getting dressed for school at age 7: "I didn't want to carry a book bag. I thought it looked messy. No, I had a nice little overcoat and I had a briefcase. And it was a real man's briefcase. And when you're 7 years old, a real man’s briefcase is like going to school with luggage."

On his first job with designer Cathy Hardwick: "Of course you would assume if someone is showing you a fashion portfolio that they studied fashion. I didn't. [Ford studied interior design and architecture at Parsons.] The first day she said, 'Draw some circle skirts.' And I'm like, 'Sh*t.' So I went to Bloomingdale's, flipped open the circle skirts, saw where all the seams were, ran back to the office, sketched some circle skirts, and put them on her desk. So I learned a lot on the job."

On feeling accomplished: "You never 'make it.' Especially in an industry where you have to churn out stuff. Things. You're never finished, and you're only as good as your last collection. I mean, in the last year, I've had a comeback, I've been finished, I've come back again. You can't rest. You cannot rest."

On designing Yves Saint Laurent: "Yves was very friendly at first. . . . As things started to go well and as things started to get good reviews and our sales started going up, Yves was no longer my friend. And I actually have some wonderful handwritten letters in very beautiful handwriting in ink: 'In 13 minutes you have destroyed what I worked 40 years to create.' . . . It was tough."

On his first movie, A Single Man: "I wasn't trying to create a big box office hit. I was trying to create something personal that I loved that I didn't compromise on, and it was a very different type of expression."

On that H&M rumor: "I keep reading that, and I find that amusing. I've never had a conversation with H&M. I'm really happy doing what I do. . . . What excites me now is the very best: the best stitching, the best fabric, the best quality. And unfortunately, or fortunately, that does tend to cost money."

Ford's advice to aspiring designers: "If there's anything else in the world you could be happy doing, do that. I'm serious. This is the hardest industry. . . . If you love it great. You'll have a wonderful life. But I don't think people realize how hard people work in fashion."

Photo: Chanel Iman with Tom Ford at the 2012 Met Gala.