Posts for January 11th 2013

Critics' Choice Awards

This Week's Best Dressed

Award season is officially here, and some of this week's best looks were real trophy winners.
Best-Dressed Celebrities and Models | Jan. 11, 2013

Award season is officially here, and some of this week's best looks were real trophy winners. The metallic Oscar de la Renta dress Anne Hathaway wore when she ascended the steps to accept her Critics' Choice Award for Les Misérables made her look like nothing so much as a golden statuette, and the gold and black Alexander McQueen dress Naomi Watts wore to the People's Choice Awards the night before had a similar effect.

But not all of this week's looks involved sequins. From the WWD CEO Summit in New York to the launch of Paula Gerbase's new label in London to a major photo opp with the stars of The Face, see who made this week's best dressed — and what they wore — here in the gallery.

Lanvin

Lanvin Pre-Fall 2013

Alber Elbaz created a veritable zoo of looks for his Pre-Fall 2013 offering, combining a variety of animal prints with lots of fur.
Lanvin Pre-Fall 2013 | Pictures

Alber Elbaz created a veritable zoo of looks for his Pre-Fall 2013 offering, combining a variety of animal prints with lots of fur. Leopard was the predominant animal here, applied to everything from boots to bags, gloves, and more than one coat. One such piece of outerwear was decorated with black and white beads in a floral pattern, while others were simply — yet lavishly — adorned with a fur lapel. But the wilder pieces in this collection were just as wearable as their solid-colored cousins, which counted a sleeveless gray wool coatdress and a black dress with a leather skirt among their number.

Photo courtesy of Lanvin

Celine

Céline Pre-Fall 2013

Phoebe Philo toyed with traditional ideas of shape, proportion, and tailoring in her Pre-Fall 2013 collection.
Celine Pre-Fall 2013 | Pictures

Phoebe Philo toyed with traditional ideas of shape, proportion, and tailoring in her Pre-Fall 2013 collection. She started off with double-breasted suits that borrowed largely from conventional menswear tropes but finished them with decidedly feminine pearl buttons. Other details, like golden belt buckles the size of small books and saddle shoes turned into soaring platform wedges, were just as eye-catching. But the oversize jackets — made large by inflating shoulder seams and lapels — may have been this offering's most striking statement.

Photo courtesy of Céline

H&M

Georgia May Jagger and Terry Richardson Team Up For Rocking Campaign

Does anyone embody the worlds of music and modeling so well as Georgia May Jagger?
Georgia May Jagger, Terry Richardson H&M Behind the Scenes

Does anyone embody the worlds of music and modeling so well as Georgia May Jagger? With her musician father, Mick Jagger, and her supermodel mom, Jerry Hall, the 20-year-old seems the perfect match for photographer Terry Richardson's newest project: a campaign for H&M's Spring Rock 'n' Roll Mansion collection.

"I think music influences fashion and has done so for generations," the younger Jagger said. "Music creates a certain mood and then people dress accordingly. I think it's all quite closely intertwined."

But the model says she's not sure yet whether she'll pursue either of her famous parents' professions for the rest of her life. "I'm still so young so it's hard for me to imagine what I might be doing in ten years time. I really like photography, so it would be great to do more in the future."

Maybe someday she'll shoot campaigns of her own. Until then, a behind-the-scenes look at her H&M ads here in the gallery.

Photo courtesy of H&M

Street Style

Erin Fetherston's Supper Club, Vogue UK and Sandy, and Street Style at Pitti Uomo

All the bits fit to print here, in our daily news roundup.



All the bits fit to print here, in our daily news roundup.

  • Erin Fetherston designed the waitress's aprons for Butterfly, a restaurant that will open downstairs from her design studio this Spring. [Food & Wine]
  • Patrick Demarchelier shot Kati Nescher for the February cover of Vogue UK in the middle of Hurricane Sandy. [Vogue UK]
  • Street style at Pitti Uomo is all about Italian tailoring, Winter textures, and double monk-strap shoes. [GQ]
  • Kate Middleton's official portrait, painted by Paul Emsley, is now on display at Britain's National Portrait Gallery. [Racked]
  • In other art news, painter Tim Furzer has created minimalistic watercolors for Calvin Klein's Madison Avenue flagship store windows. [Harper's Bazaar]
  • Jan Heppe is Burberry's new president of the Americas. [WWD]
  • Vena Cava's Sophie Buhai describes the label's secondary line, Viva Vena!, as "the little sister to Vena Cava…if Vena Cava were an opera, Viva Vena! would be an indie band." [Refinery29]

  • L.K. Bennett selected Rosamund Pike as the face of its Spring 2013 campaign. [Telegraph]
  • Oscar nominations for best costume favored period dramas and fairy-tale films. [LA Times]

Source: GQ

Dior

Marc Jacobs on How His Psychiatrist Helped Him Make the Dior Decision

In a wide-ranging conversation with Fern Mallis on stage at the 92nd Street Y this week, Marc Jacobs said he discussed not taking over for John Galliano in sessions with his psychiatrist.



In a wide-ranging conversation with Fern Mallis on stage at the 92nd Street Y this week, Marc Jacobs said he discussed not taking over for John Galliano in sessions with his psychiatrist.

"It was actually my psychiatrist who said, 'How is this going to improve the quality of your life?' and I said, 'It's not.' I mean, two more shows — and after Galliano, what he has done — when am I going to live my life?" Jacobs asked.

The designer also talked about growing up in New York City, studying at Parsons, and being treated for substance abuse. A few highlights from the conversation below.

On going to college: "Every day was like a fashion parade. There was a little troop of us. It was me, a girl named Susan Martin, Chris Iles, and Tracy Reese. The four of us were inseparable. We were the overachievers. We would do five times what was required just because we really enjoyed it."

On the critics: "There are very few, and I don't mean this in a bitchy way, journalists who I respect. I don't think a lot of them know what they're looking at. . . . I'm fine with constructive criticism but I'm not so good with stupidity. It's one thing to say 'I like or I don't like' but to misread or mislabel something or to be out of sorts because it was raining, or a late show, or you were hungry. That just all feels not valid."

On his sobriety: "I wouldn't say I'm 100 percent sober. What I'm saying is perfection is not my deal. Yeah, maybe I have had a glass of wine or a couple of whiskeys. Maybe I've smoked a joint or something like that. Or other things, but I'm mostly sober."

On what he tells aspiring designers: "What's worked for me is not quitting, being more passionate about what I do, and not giving up. And when I don't believe in myself, turning to other people who believe in me."

Photo by Joyce Culver, courtesy of 92nd Street Y.