Fall 2011 New York Fashion Week: Rag & Bone
Rag & Bone Earn Their Stripes with Their Fall 2011 Arctic Ski-Inspired Collection
>> For the second Fall season in a row, the Rag & Bone boys have created a lot of want in the ten some-odd minutes it takes for their run of show. The futuristic bent that was introduced in their Spring 2011 collection stayed, but this time worked its way into a number of the Rag & Bone staples — cropped fitted jackets, kilts, knee socks, and cape coats. This was mashed together with a newfound fascination with texture: cow hides, nubby knits, neoprenes, shearlings, wools, and fringes were all represented.
As Marcus Wainwright noted backstage, "It started with Inuit people — the indigenous people of the Arctic circle — and on the other side of it, there was a French skiier called Jean-Claude Killy — so '70s ski — and it just went from there." As for the brilliant blue that was used so liberally in the second half of the show — where did that come from? "In looking at all of these pictures of the Arctic and the snow and the sky bounced against it," Wainwright explained, "that unbelievable blue — Klein Blue — that kind of blue of the sky, was just amazing against the ivory and the grey of the beginning [of the show]. It's a fun color."
The cool Rag & Bone girl was well-accounted-for as usual, both front row (Erin Wasson, Jessica Stam, and Alexa Chung), and on the catwalk (Bette Franke, making a runway return after taking a season off, Arizona Muse, Joan Smalls, Fei Fei Sun, Saskia de Brauw, and Britt Maren). Boots tended to be thigh-high and low-heeled. As for the clutches, which were strapped to the models' hands by glove-like contraptions, leaving their fingers free — would those be put into production? "It may well do if people like them," Wainwright answered. "I don't know. We just did it just for the show, we always do those things ourselves, but yeah, probably." He and Neville had both cracked open Peroni beers immediately post-show, while their children ran around backstage. So what's the plan now that the show is finished? "I have had one beer," Wainwright replied. "I'm going to have a few more. I feel pretty good about it. I was excited about the music [done by Thom Yorke], and it's good."
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>> For the second Fall season in a row, the Rag & Bone boys have created a lot of want in the ten some-odd minutes it takes for their run of show. The futuristic bent that was introduced in their Spring 2011 collection stayed, but this time worked its way into a number of the Rag & Bone staples — cropped fitted jackets, kilts, knee socks, and cape coats. This was mashed together with a newfound fascination with texture: cow hides, nubby knits, neoprenes, shearlings, wools, and fringes were all represented.
As Marcus Wainwright noted backstage, "It started with Inuit people — the indigenous people of the Arctic circle — and on the other side of it, there was a French skiier called Jean-Claude Killy — so '70s ski — and it just went from there." As for the brilliant blue that was used so liberally in the second half of the show — where did that come from? "In looking at all of these pictures of the Arctic and the snow and the sky bounced against it," Wainwright explained, "that unbelievable blue — Klein Blue — that kind of blue of the sky, was just amazing against the ivory and the grey of the beginning [of the show]. It's a fun color."
The cool Rag & Bone girl was well-accounted-for as usual, both front row (Erin Wasson, Jessica Stam, and Alexa Chung), and on the catwalk (Bette Franke, making a runway return after taking a season off, Arizona Muse, Joan Smalls, Fei Fei Sun, Saskia de Brauw, and Britt Maren). Boots tended to be thigh-high and low-heeled. As for the clutches, which were strapped to the models' hands by glove-like contraptions, leaving their fingers free — would those be put into production? "It may well do if people like them," Wainwright answered. "I don't know. We just did it just for the show, we always do those things ourselves, but yeah, probably." He and Neville had both cracked open Peroni beers immediately post-show, while their children ran around backstage. So what's the plan now that the show is finished? "I have had one beer," Wainwright replied. "I'm going to have a few more. I feel pretty good about it. I was excited about the music [done by Thom Yorke], and it's good."
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